TRAIN TO PAKISTAN MOVIE MOVIE

Barnett, a Reich devotee who caught the minimalism bug through a record-shop listening post when he was 13, has taken the most conceptual route for his composition, one requiring the most health and safety form-filling. But thatвЂ™s what we love вЂ“ we have no control over the sound, the one thing that usually we have all the control over.вЂќД®arlier this year, Barnett and Cunningham travelled to India to explore the history of partition and learn from master musicians. Pollard says this project feels вЂњa bit like tying our hands behind our backs.

TRAIN TO PAKISTAN MOVIE MOVIE

Music is central to Forsyth and PollardвЂ™s art: an early work saw them remake an infamous video of a Cramps gig in a psychiatric hospital, and they recently went inside the mind of Nick Cave for the award-winning movie 20,000 Days on Earth.

Soaking up the sounds are Iain Forsyth and Jane Pollard, the artist and film-maker couple tasked with providing a visual backdrop for Different Trains 1947 when itвЂ™s unveiled in three performances this autumn, starting at the worldвЂ™s oldest passenger railway station вЂ“ Edge Hill in Liverpool вЂ“ before rolling on to LondonвЂ™s Barbican and Magnetic Fields festival in Rajasthan. Photograph: Christian Jungeblodt for the Guardian And in the third is Sandunes, an Indian producer whose global electronic influences stretch from the LA beat scene to London raves.Дifferent Trains 1947, from left: film-makers Jane Pollard and Iain Forsyth with musicians Jack Barnett, Actress and Sandunes. In the next is Actress, aka Darren Cunningham, whose mulchy, decaying take on techno has made him a cult club figure in the UK. In one studio is Jack Barnett, frontman of These New Puritans, the increasingly unclassifiable outfit whose last album featured flugelhorns, magnetic piano and the deepest voice in Britain. In east Berlin, inside the crumbling DDR radio station building, three of them are patiently tweaking mixing boards and rearranging drum patterns on their laptops. Seventy years after partition, as living memories of 1947 fade, a group of musicians from Britain and India are using ReichвЂ™s work as an inspiration for their own examination of the subcontinentвЂ™s scars. It wasnвЂ™t unknown for вЂњghost trainsвЂќ to arrive at their destination ablaze, their passengers burned to death. In the chaos, Muslim families crammed themselves into carriages bound for Pakistan, while Hindus travelled in the opposite direction, both fearing for their lives.

An exhausted postwar Britain carelessly scored a line through India, creating Pakistan, and sowed the seeds for decades of bitter conflict. In that same grim period, just a few years after the liberation of the concentration camps, train travel again became a symbol of human tragedy. With its three movements of chopping strings, air raid-like drones and repeated snatches of speech, Different Trains was ReichвЂ™s meditation on rail travel, the American composer contrasting the easy cross-country journeys he made during the second world war with the enforced transportation of his Jewish kin in Europe. I n 1988, having turned classical music on its head with his radical minimalism, Steve Reich unveiled what remains one of his most recognisable and admired works.

Train to pakistan movie